CV

Biography

Born 1971 in Freiburg, Germany.
 
Lives and works in New York, USA.

Education and Teaching

1991 – 1992
Basic study painting, Independent Art Academy, Stuttgart, Germany
1992 – 1994
Studied Photography/Film Design, Fachhochschule Bielefeld, Germany
1998
Diploma Fine Arts, Academy of Fine Arts, Braunschweig, Germany
1999 – 2000
Whitney Independent Study Program, New York, USA
2004 – 2020
Professor, Malmö Art Academy, Malmö, Sweden

Grants and Awards

2018
Robert Rauschenberg Residency, Captiva Island, Florida
2012 – 2013
Creative Time Global Residency
2011 – 2012
Museum of Modern Arts Research Fellowship
2007
New York Foundation for the Arts, Artist Fellowship
2003
New York Foundation for the Arts, Artist Fellowship
2002
Medienkunstpreis, Kunstadapter. Wiesbaden, Germany

Selected Solo Exhibitions

2021
Andrea Geyer. Shadows Nearby, Galerie Thomas Zander, Cologne
2018
Andrea Geyer. When We, Irish Museum of Modern Art, Dublin, Ireland
 
Andrea Geyer. Truly Spun Never, Hales Project Room, New York, USA
 
Andrea Geyer. Collective Weave, Handwerker Gallery, Ithaca, New York, USA
2017
Andrea Geyer. To Those Who Have Eyes To See, San Francisco Museum of Modern Art, San Francisco, USA
 
Andrea Geyer. How Long Is Now?, KINDL – Centre for Contemporary Art, Berlin, Germany
 
Andrea Geyer. Gezeiten/Tides, Studiengalerie 1.357, Goethe-Universität, Frankfurt/Main, Germany
2016
Andrea Geyer. Truly Spun Never, Parque Galería, Mexico City, Mexico
 
Andrea Geyer. Travels on Slender Thread, The New Foundation, Seattle, USA
2015
Andrea Geyer. Time Tenderness, Whitney Museum of American Art, New York, USA
 
Andrea Geyer. It's time, she said., Whitney Museum of American Art, New York, USA
 
Andrea Geyer. Time Fold, Galerie Thomas Zander, Cologne, Germany
2014
Andrea Geyer. Three Chants Modern, Portland Institute for Contemporary Art, Portland, Oregon, USA
2013
Andrea Geyer. . Sound Giving Will Feeling, presented by A Space Gallery and the Images Festival, A Space Gallery, Toronto, Canada
2012
Andrea Geyer. 9 Scripts from a Nation at War, Museum of Modern Art, New York, USA
2011
Andrea Geyer. Comrades of Time, Galerie Thomas Zander, Cologne, Germany
 
Andrea Geyer. Criminal Case 40/61: Reverb. Siskel Film Center, Chicago, Illinois, USA (screening)
2010
Andrea Geyer, Artforum Berlin, Galerie Thomas Zander, Cologne, Germany
 
Andrea Geyer. Criminal Case 40/61: Reverb. University Art Gallery / Room Gallery of UC Irvine's Claire Trevor School of the Arts, Irvine, California, USA
 
Andrea Geyer. Spiral Lands / Chapter 1 / Chapter 2 / Chapter 3 (mit Simon J. Ortiz). Argos Center for Art and Media, Brussels, Belgium
 
Andrea Geyer | Sharon Hayes, Göteborgs Konsthall. Göteborg, Sweden
2009
Andrea Geyer | Sharon Hayes. Kunstmuseum St. Gallen. St. Gallen, Switzerland
2008
Andrea Geyer. 9 Scripts from a Nation at War, Ret Cat, Los Angeles, USA
 
Andrea Geyer. Spiral Lands / Chapter 1. Galerie Thomas Zander, Cologne. Germany
 
Andrea Geyer. The past never changes. Galerie Hohenlohe, Vienna, Austria
 
Andrea Geyer. 9 Scripts from a Nation at War, Tate Modern L2 Gallery, London, UK
2005
Andrea Geyer. Spiral Lands. A reading. Free Space. Chelsea Hotel, New York, USA
 
Andrea Geyer. Citizenship: Changing Conditions. IASPIS, Stockholm, Sweden
2004
Andrea Geyer. Parallax. Kunstverein St. Gallen im Katharinen, St. Gallen, Switzerland
 
Andrea Geyer. Meaning is what hides the instability of one’s position. (with Katya Sander), Kunstmuseum Esbjerg, Esbjerg, Denmark
2003
Andrea Geyer, Secession, Vienna, Austria
2002
Andrea Geyer. o.T., Raum für aktuelle Kunst, Luzern, Switzerland
 
Andrea Geyer. Ortswechsel. Plattformen und Galerie Paula Böttcher, Berlin, Germany
2001
Andrea Geyer. Fantasies are feelings given form. Don’t worry, they are safe if understood. Parlour Projects, Brooklyn, New York, USA
 
Andrea Geyer. Information Upon Request. Galerie Paula Böttcher, Berlin, Germany
 
Andrea Geyer. Information Upon Request. Galerie T-19, Vienna, Austria
2000
Andrea Geyer, Project space. P.S.1 Contemproary Art Center, Long Island City, New York, USA
 
Andrea Geyer. Cambio de Lugar_Change of Place. La Panaderia, Mexico City, Mexico

Selected Group Exhibitions

2017
BOOKS. An exhibition of books about art and art about books, Galerie Thomas Zander, Cologne, Germany
2020
Emotion and Structure, Galerie Thomas Zander, Cologne, Germany
2018
Cast of Characters, The Bureau of General Services-Queer Division, New York, USA
2017
VOICE = SURVIVAL, The 8th Floor, New York, USA
 
Photo Kinetics. Movement, Body & Light in the Collections, Museum der Moderne, Salzburg, Austria
2016
How Long Is Now?, Maschinenhaus (Power House), Kindl Zentrum für Zeitgenössische Kunst, Berlin, Germany
 
Everything Happens Somewhere – Landschaftsstrategien, Galerie Thomas Zander, Cologne, Germany
 
Kunst –Musik –Tanz, Museum für Moderne, Salzburg, Austria
 
Time / Image, Krannert Art Museum, University of Illinois, Champaign, Illinois, USA
2015
Rewriting Histories, Fotografisk Center, Copenhagen, Denmark
 
Time / Image, Blaffer Art Museum, Houston, Texas, USA
 
Sebald Variations, Centre de Cultura Contemporània, Barcelona, Spain
2014
Art/Histories, Kunstmuseum Salzburg, Austria
 
Palace Revolution, Galveston Arts Center, Galveston, Texas, USA
 
More Real Than Real Itself, Contemporary Art Museum, Houston, Texas, USA
 
Dealing with… Short Film Program, curated by Marc Glöde, Art Basel, Basel, Switzerland
 
A VOICE OF ONE’S OWN – On Women’s Fight For Suffrage And Human Recognition, Art Centre Winzavod, Moscow, Russia
 
Malmö Konstmuseum, Malmö, Sweden
 
Unsettled Landscapes, SITE Santa Fe, Santa Fe, New Mexico, USA
 
Space Set/Set Space, collaboration with Sharon Hayes for her solo show at Carleton University Art Gallery, Canada
2013
STAGE SET STAGE: On Identity and Institutionalism, SBC Gallery, Montréal, Canada
 
Mix NYC: 26th Annual Queer Experimental Film Festival, New York, USA
 
FIAC (Foire Internationale d’Art Contemporain) CINÉPHÉMÈRE, Screening: Insistence, Paris, France
 
Against Method: The Collection Seen by Gertrud Sandqvist, Generali Foundation, Vienna, Austria
 
Decenter: An Exhibition on the Centenary of the 1913 Armory Show, Abron Arts Center-Henry Street Settlement, New York and Luther W. Brady Art Gallery, George Washington University, Washington, D.C., USA
 
Nur hier, Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
 
Where Do We Migrate To?, Center for The Visual Culture at the University of Texas, El Paso, Texas, USA
 
The Famous Fem(inists): Disobedience, Screening: Criminal Case, Järvafältet, Stockholm, Sweden
 
Wordy Rappinghood, Bureau Publik, Copenhagen, Denmark
 
The One Minute Film Festival 2003-2012, Mass MoCA, North Adams, Massachusetts, USA
2012
Stage It! (part one), Stedelijk Museum, Amsterdam, Netherlands
 
Spiral Lands (Chapter 1 and 2), Taipei Biennial, Taipei, Taiwan
 
Contours of the Common, Centre for Contemporary Art Derry, Londonderry, Ireland
 
Permission for the Revolution, Off Limits, Madrid, Spain
 
Comrades of Time. Performance. curated by Arika as part of the 2012 Whitney Biennial, Whitney Museum of American Art, New York, USA
 
Where Do We Migrate To?, Center at Parsons, The New School for Design, New York, USA
 
Where Do We Migrate To?, Contemporary Art Center, New Orleans, Louisianna, USA
 
Habla, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
 
Celebration of the Body #2: History of Art in the Age..., University Lumière Lyon 2, Lyon, France
 
True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Zealand
 
ARIKA. Episode 3: Copying without Copying. Tramway, Glasgow, Scotland
 
Space Set/Set Space, collaboration with Sharon Hayes for her solo show at Whitney Museum of American Art, New York, USA
 
Infinite Repetition of Revolt, collaboration with Josiah McElheny for “Josiah McElheny: Some Pictures of the Infinite”, The Institute of Contemporary Art, Boston, Massachusetts, USA
2011
Walking Forward - Running Past, Art in General, New York, USA
 
Back to the Future, Kunstmuseum St. Gallen, St. Gallen, Switzerland
 
Kindred Spirits. Galerie Peter Blum, New York, USA
 
CUT, Galerie Thomas Zander, Cologne, Germany
 
InSite: Art +Commemoration, Lower Manhattan Cultural Council, New York, USA
 
Push and Pull (with Josiah McElheny), MuMOK, Vienna, Austria
 
Push and Pull (with Josiah McElheny), TATE Modern, London, UK
 
No Man’s Land, Montehermoso Cultural Centre, Spain
 
Schon Wieder, Kunstverein Medienturm, Graz, Austria
 
Where Do We Migrate To?, curated by Niels Van Tomme, Center for Art, Design and Visual Culture, University of Maryland, Baltimore, Maryland, USA (travelling exhibition)
2010
29 Bienal de São Paulo, São Paulo, Brazil
 
Bucharest Biennale 4, Bucharest, Romania
 
Behind the Fourth Wall, Fictitious Lives – Lived Fictions, Generali Foundation, Vienna, Austria
 
50 Artists Photograph The Future, Higher Pictures, New York, USA
 
First Nations / Second Nature, SFU Contemporary Arts, Audain Gallery, Simon Fraser University School for the Contemporary Arts, Vancouver, British Columbia, Canada
 
Where Everything Is Yet to Happen, Banja Luka, Bosnia-Herzegovina
 
Nobody's Property: Art, Land, Space, 2000-2010, Princeton University Art Museum, New Jersey, USA
 
To the Citizens, Serralves Museum, Porto, Portugal
 
Go West, Salt Lake Art Center, Salt Lake City, Utah, USA
 
Those Who Control the Past Command the Future – Those Who Command the Future Conquer the Past, Signal, Sweden
2009
Avant-Guide to NYC: Discovering Absence, Apex Arts, New York, USA
 
Free as Air and Water, The Cooper Union, New York, USA
 
Heaven, Athens Biennal, "World Question Center", Athen, Greece
 
Everything has a Name or the Potential to being named, Gasworks, London, UK
 
Still / Moving / Still, Photofestival Knooke, Belgium
 
Drifting Histories, Hessel Museum, Bard College, New York, USA
2008
When Absence Becomes Presence, Washington Project for the Arts, Washington, D.C., USA
 
T2-50 Moons of Saturn, Torino Triennale, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
 
Zones of Conflict, Pratt Manhattan Gallery, New York, USA
 
2 x [ ( 2 x 20) + (2 x 2) ] + 2 = X x (desperately) trying to figure out the world, Mai 36 Galerie, Zurich, Switzerland and Brooke Alexander Gallery, New York, USA
 
Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, New York, USA
 
The Activist Impulse, Women & Their Work, Austin, Texas, USA
 
Zagreb Queer Festival. Zagreb, Croatia
 
The Greenroom: Reconsidering the Documentary and Contemporary Art, CCS Galleries and Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York, USA
 
Field Work 1, Smart Project Space, Amsterdam, Netherlands
 
War Stories, Sandra and David Bakalar Gallery, MassArt, Boston, Massachusetts, USA
 
Headlines & Footnotes, Henie Onstad Kunstsenter, Oslo, Norway
 
“Nicht Alles Tuen.” Ziviler und Sozialer Ungehorsam an den Schnittstellen von Kunst, radikaler Politik und Technologie, Kunstraum emyt, Berlin, Germany and Galerie IG Bildende Kunst, Vienna, Austria
2007
Just Space(s), Los Angeles Contemporary Exhibitions, Los Angeles, California, USA
 
Brave Lonesome Cowboy, Kunstmuseum St. Gallen, St. Gallen, Switzerland
 
documenta 12, Kassel, Germany
 
Exile of the Imaginary. Politics / Aesthetics / Love, Generali Foundation, Vienna, Austria
2006
The Look of Law, University Art Gallery UC Irvine, California, USA
 
Knowing you/Knowing me, Camer Austria, Graz, Austria
 
Cooling Out. On the paradox of feminism, Kunsthaus Baselland, Muttenz, Switzerland and Kunstraum Lüneburg, Lüneburg, Germany
 
If a cat gives birth to kittens in an oven, are they kittens or biscuits? Roebling Hall, Brooklyn, New York, USA
 
Re_dis_trans. Voltage of Relocation and Displacement, Apex Art, New York City, USA
 
When Artist Say We, Artist Space, New York, USA
 
Low-Intensity Conflict. Swiss Institute, New York, USA
 
Der Raum zwischen zwei Bildern. Galerie Fotohof, Salzburg, Austria
2005
Looking at America, Galerie Hohenlohe, Vienna, Austria
 
Information Tranformation, ExtraCity, Antwerp, Belgium
 
re:site Montréal, Oboro, Montréal, Canada
 
Be what you want but stay where you are, Witte de With, Rotterdam, Netherlands
 
Patriot, Contemporary Museum, Baltimore, Maryland, USA
 
e-flux Video Rental, New York, USA and Berlin, Germany
 
Die Regierungen (The Government), Paradisische Handlungsräume (Elysian Spheres of Action), Secession,Vienna, Austria
 
I beg your Pardon, or the Reestablishment of Cordial Relations, Vera List Center for Arts and Politics, The New School, New York, USA
2004
How do I want to be governed? (figure and ground), Miami Art Central, Miami, Florida, USA
 
Identify. Studies on the Political Subject, Vera List Center for Arts and Politics, New York, USA
 
Me, Myself and I, Kunstmuseum St. Gallen, St. Gallen, Switzerland
 
Teasing Minds, Kunstverein München, Munich, Germany
 
External Affairs, PS122 Gallery, New York, USA
 
The Freedom Salon, Deitch Projects, New York, USA
 
Open House, O.K. Center, Linz, Austria
 
Gelebte Bedingungen, Kaskadenkondensator, Basel, Switzerland
2003
The American Effect, Whitney Museum of American Art, New York, USA
 
Western: Terms of Use, Charlottenborg, Copenhagen, Denmark
 
Between Spaces, Centro Cultural Andratx, Mallorca, Spain
 
Between Spaces, Galerie Asbaek, Copenhagen, Denmark
 
Usted está aquí (You are here), Espacio La Rebeca, Bogotá, Colombia
 
Opening, Andrew Kreps Gallery, New York, USA
2002
En Route, Serpentine Gallery, London, UK
 
Organisationen, Skuc Gallerija, Ljubljana, Slovenia
 
Hausordnung, Stadthaus Ulm, Ulm, Germany
 
Manifesta4, Frankfurt/Main, Germany
 
Over the Moon (with Ulrike Feser), Große Gefühle zwischen Inszenierung und Authentizität, Künstraum Kreuzberg / Bethanien, Berlin, Germany
 
Preisträger des Medienkunstpreises, Kunstadapter 2002, Kunstverein Wiesbaden, Wiesbaden, Germany
 
Social Sectors, Kunsthalle Exnergasse. Vienna, Austria
 
The Captain's Road, Dublin, Ireland
 
Stepping Back, Moving Forward, Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania, USA
2001
The Subject and Power (the lyrical voice), Central House of Artists, Moscow, Russia
2000
Selections, LFL Gallery, New York, USA
 
Open Studio, Whitney Independent Study Program, New York, USA
1999
Architorture. White Columns, New York, USA
 
Raumgrenzen. Spacelines. Raum 1 /Galerie Hubert Winter, Vienna, Austria
 
Office. Staff Gallery, New York, USA
 
Parking. Maydayproduction, Highbridge Park, New York, USA
 
Andrea Geyer, Tim Maul, Clara Williams. Gallery Pierogi 2000, Brooklyn, New York, USA
1998
A streetwalk named desire, Kunstraum Luzern, Luzern, Switzerland
 
Archive. Christchurch, New Zealand
 
Kunst-Preis der Sparkasse Recklinghausen, Recklinghausen, Germany
1997
Hjem. Architecture Space, Gammeldock, Kopenhagen, Denmark
 
Kiosk. Downtown Artsfestival, New York. USA
 
Ulrike Feser, Andrea Geyer, Wolfgang Stahr. Galerie Conrads, Düsseldorf, Germany

Other Selected Projects / Lectures

2014
Comrades of Time. Performance as part of ACTS – Festival for Performative Art, Museum of Contemporary Art, Roskilde, Denmark
 
Creative Time Global Residency: Notes From the Field, Monday, April 21, 2014. Joe’s Pub, New York, USA
 
Artist Talk. PSU MFA Studio Lecture Series. Wednesday, April 16, 2014. Portland Institute for Contemporary Art, Portland, Oregon, USA
 
Artist Talk. Thursday, April 3, 2014. Smith College, Northampton, Massachusetts, USA
2013
Artist Talk, in conjunction with the Images Festival, Images Hub / Urbanspace Gallery, Toronto, Canada
 
Mining The Archives for a Feminist Pre-History. Presentation and discussion with Sabine Breitwieser in Conjunction with The Feminist Art Project and College Art Association. Saturday, February 16, 2013, Brooklyn Museum, New York, USA
2012
Stage It! (part one). Stedelijk Museum, Amsterdam, Netherlands
 
Comrades of Time. Performance as part of “A survey is a process of Listening,” Whitney Museum of American Art. Part of the 2012 Whitney Biennial’s performance program organized by Arika, New York, USA
 
Performance: Always in Time. Women Art and Politics, part of series Something to Say- Something to Do: The Politics of Authorship and History of Exhibitions, Vox centre de l'image contemporaine, Montreal, Canada
 
Poetics of Anxiety and Security: the Problem of Speech and Action in Our Time, Conference in collaboration with Birkbeck, School of Law and The Birkbeck Institute for the Humanities. Serpentine Gallery, London, UK
 
How Can Art Effect Political Change? Panel Discussion presented by apexart and Vera List Center for Art and Politics, October 2, 2012. The New School, New York, USA
 
Things Have Changed. Art Practice, Activism, and Pedagogy: Some Feminist Views. April 5th, 2012, Parsons the New School for Design, New York, USA
 
Notes on Lilly Bliss, Mary Sullivan and Abby Rockefeller. Women Make Modern. April 5th/6th, 2012, Art History Department. Yale University, New Haven, Connecticut, USA
 
History from within. The Core Lecture Series. April 6, 2012. Glassell School of Arts, Museum of Fine Arts, Houston, Texas ,, USA
 
9 Scripts from a Nation at War. Modern Mondays. April 30, 2012. Museum of Modern Art, New York, USA
 
Spiral Lands: Un-learning Visual Regimes. May 6th, 2012. Frieze Art Talks, Frieze Art Fair, New York, USA
2011
Spiral Lands: Un-learning Visual Regimes. Essentially Indigenous? National Museum Of the American Indian, May 6th, 2011. New York, USA
 
The Infinite Repetition of Revolt The Infinite Repetition of Revolt: Conceptual Art as Memory, Panel on Conceptualism-as-Medium: The Poetics of Critique, College Art Association (CAA), New York, USA
 
Feminism/Nationalism, Brussels, Belgium
2010
Human Rights Conference: Confronting Images and Testimonies, Wexner Center, Columbus, Ohio, USA
 
Conversations with Contemporary Artists. Moderated by Glenn D. Lowry. March 31, 2010, Museum of Modern Art, New York, USA
 
Enemy Combatant Status Review Tribunals. (with Sharon Hayes and Ashley Hunt)
 
Human Rights Conference: Confronting Images and Testimonies. March 4th, 2010. Wexner Center, Columbus, Ohio, USA
2009
Solemny Proclaimed. Art Matters Now. October 17th, 2009. Art Matters Foundation, New York, USA
 
Criminal Case 40/61: Reverb. Revolutions in Public Practice, Panel on Activating Public Memory. September 16th, 2009. Creative Time Summit at the New York Public Library, New York, USA
 
Transpedagogy, May 15, 2009. Think Tank, Museum of Modern Art, New York, USA
 
Zones of Conflict, Symposium Image Wars: Conflict, Media, Globalization, January 30th, 2009. Pratt Manhattan Gallery, New York, USA
 
Unreal Asia, Panel on The Spectre of the Avant-Garde, May 3rd, 2009. International Film Festival, Oberhausen, Germany
2008
Spiral Lands / Chapter 2. Modern Mondays, Museum of Modern Art, New York, USA
 
Ours: Democracy in the Age of Branding. Sheila C. Johnson Design Center, Vera List Center for Art and Politics, The New School, New York, USA (curated by Carin Kuoni)
2007
Land Grab, Workshop on Strategies of Occupation: Grabbing Land and the Political Agency of the Artist, Apex Art, New York, USA
 
9 Scripts from a Nation at War (collaboration with Sharon Hayes, Ashley Hunt, Katya Sander and David Thorne), Vera List Center for Art and Politics, The New School, New York, USA
2005
Artist and Influence. Conversation with Yvonne Rainer, Hatch-Billops Collection, New York, USA
2004
The Artist as an Intellectual?, Akademie der Künste in collaboration with Secession, Vienna, Austria
 
Go heal yourself. The Flick Collection will be closed, Hebbeltheater, Berlin, Germany

Selected Bibliography

2019
Andrea Geyer: Dance in a Future with All Present. Edited by Alhena Katsof, Karen Kelly, Barbara Schroeder, Portland Institute of Contemporary Art, Oregon
2015
Griffith, Phillip. "Walid Raad and Andrea Geyer" in The Brooklyn Rail, December 9
 
Campbell, Andrianna. "Andrea Geyer" in Artforum, 500 Words, November 11
 
Greaney, Patrick. “Rescuing the Past: Repetition and Reenactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes,” Postscript: Writing After Conceptual Art, ed. by Nora Burnett Abrams and Andrea Andersson, University of Toronto Press, Toronto, Canada
 
Tang, Jeannine. “Look Again: Subjectivity, Sovereignty, and Andrea Geyer’s Spiral Land” in Critical Landscapes, University of California Press, Oakland, California
2014
Art/Histories, Museum der Moderne Salzburg, Austria
 
Joseph Albers: no tricks, no twinkling of the eyes, edited by Tone Hansen and Milena Hoegsberg, Verlag der Buchhandlung Walther König, Cologne, p. 173-183
 
Unsettled Landscapes, SITE Santa Fe, Santa Fe, NM
 
Dean Daderko, “Fast Forward,” in More Real Than Reality Itself, Contemporary Arts Museum, Houston, Texas
2013
Juli Carson, “Das Populäre und das Konzeptuelle,” in A Book about Collecting and Exhibiting Conceptual Art after Conceptual Art, (Wien: Generali Foundation, 2013) p. 441-445
 
Giovanna Zapperi, “Woman’s Reappearance: Rethinking the Archive in Contemporary Art—Feminist Perspectives, “ Feminist Review, Issue 105, November 2013, p. 38-45
 
Jamie Hanton, “True Stories / Scripted Realities,” Circuit: Artist Film and Video Aotearoa New Zealand, January
2012
Lawrence McDonald, “Expanding Video. True Stories: Scripted Realities.” Illusions: New Zealand Moving Image and Performing Arts Criticism, Issue 43/44, September 2012, p. 65-69
 
Franic Hunger, “Andrea Geyer: Comrades of Time,” Nothere, http://nothere.irmielin.org
 
John Hurrell, “Art Production as Film Set,” eyecontactsite.com, April 16, 2012
 
Karen Rosenberg, “Homages and Soapboxes Mix and Mash It Up: Sharon Hayes Solo Show at the Whitney, The New York Times, June 28, 2012
 
Marcelline Block, “The Aesthetics of Migration,” Afterall (online), May 30, 2012
 
Juli Carson, "Aesthetics of Repetition: A Case for Oscar Masotta," X-TRA, volume 14, number 3, Spring
2011
Catherine L. Benamou, "Andrea Geyer: Criminal Case 40/61: Reverb," X-TRA, Volume 13, Number 4, Summer 2011, p. 34-41
 
Niels Van Tomme, "Where Do We Migrate To?," in Issues in Cultural Theory #14, ed. Niels Van Tomme, University of Maryland, Center for Art, Design and Visual Culture, Baltimore
 
Juli Carson, “Criminal Case 40/61: Reverb,” in The Limits of Representation: Psychoanalysis and Critical Aesthetics, Letra Viva, Argentina, p. 179-184
2010
To the Citizens. Serralves Museum. Porto, Portugal
 
29ª Bienal de São Paulo. São Paulo, Brazil
 
Bucharest Biennial 4 (curated by Felix Vogel), Bucharest, Romania
2009
Andrea Geyer/Sharon Hayes, Kunstmuseum St.Gallen, Kehrer Verlag, Nuremberg, Germany
 
Susanne Leeb, "Antiromantic Conceptualism: Uber 'Spiral Lands/Chapter 1' by Andrea Geyer," Texte Zur Kunst, Issue 73, March
2008
Janet Catherine Berlo, introduction to Andrea Geyer / Spiral Lands / Chapter 1, by Andrea Geyer, Koenigs Books, London, I-XIII
 
Johanna Burton, “So Above, So Below: Andrea Geyer’s Audrey Munson,” in Andrea Geyer: Queen of the Artists’ Studios, (New York City: Art in General, New Commissions Program XII, 2008) p. 75-79
 
50 Moons of Saturn, T2 Torino Triennale (cat.), ed. by Daniel Birnbaum, Italy
 
Ian White, “One Script for '9 Scripts from a Nation at War,'" Afterall, Summer
 
Headlines & Footnotes, ed. by Caroline M. Ugelstad, Henie Onstad Kunstsenter, Norway
2007
Cynthia Chris, "Geschichten Erzählen und übersetzen," Springerin, Band XIII, Heft 4 –Herbst 2007, Austria
 
Julia Bryan-Wilson,"Changing the Subject," Artforum, October 2007, New York
 
Jeff Derksen, "Andrea Geyer," documenta 12, catalogue, Kassel, Germany
 
documenta 12, Picture Book/contributing photographer, Kassel, Germany
 
Brave Lonesome Cowboy, catalogue, Kunstmuseum St. Gallen, St. Gallen, Switzerland
 
Parveen Adams, "Art and the Time of Repetition," Exile of the Imaginary: Politics / Aesthetics / Love, ed. Juli Carson, Exhibition Catalogue, Generali Foundation, Vienna
2005
Regierungen, Paradiesische Handlungsräume, Secession, Vienna, Austria
2004
Starship, From the notebooks: Audrey Munson
 
Space Program, Lower Manhattan Cultural Council. Scapes, Basic Cartography
 
Roland Schony, “Parallax” in Open House: Art and the Public Space, OK Center for Contemporary Art, Austria
2003
The American Effect, Exhibition Catalogue, Whitney Museum of American Art, New York
 
Andrea Geyer, Secession, Vienna, Austria
2002
On Route, Serpentine Gallery, London, UK
 
Medienkunstpreis, Kunstadapter, Wiesbaden, Germany
 
Social Sectors, Kunsthalle Exnergasse, March
 
Charley, Les Presses du Réel/Janvier. Künstlerportraits: Andrea Geyer, Frankfurter Rundschau, July 15th, 2002, Kulturspiegel
 
Manifesta catalogue, Shortguide. Frankfurt/Main
2001
Martin Conrads / Ulrich Gutmair, Justify My Love: Andrea Geyer, Cecily Brown, Dorit Margreiter, Stefan Ettlinger, Texte zur Kunst #42, Berlin. p. 102
 
William Stover, "At a Remove," Zeitschrift des Center for Photography, Woodstoock, p. 1
 
Nicolas Siepen, "Verorte mich, ich bin ein Zeichen," Frankfurter Allgemeine Zeitung, 20.03.2001. p. BS6
 
Christa Benzer, "Andrea Geyer: Information Upon Request," Springerin, Band 7, Heft 1/01, Vienna
 
Particia Grzonka, "Frauenhäuser," Profil, 12.2.01, profil7. Vienna, Austria
 
Nicole Scheyerer, "Andrea Geyer, Galerie T-19," Falter 5/01, 2.2.01, Vienna, Austria
 
Florian Steininger, "Andrea Geyer, Galerie T-19," Artmagazine, Vienna, Austria
 
Susanne Rohringer, "Die Konstruktion der Weiblichkeit," ORF, online, Vienna, Austria
 
Maryam Jafri, "Cambio de Lugar_Change of Place," Writers Project, PS1, Long Island City, NY
 
Kimberly Lamm,"Translating the Question of Feminism: Cambio de Lugar, Change of Place," Writers Project, PS1, Long Island City, NY

Public Collections

Museum of Modern Art, New York, USA
 
Art In General, New York, USA
 
Neue Galerie, MHK, Kassel, Germany
 
Collection of the Federal Republic of Germany